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Picasso
The key work of this early period, however, is Les demoiselles d'Avignon (1907, Museum of Modern Art, New York City) S
o radical in style, with its picture surface resembling fractured glass, it was not even understood by contemporary avant-garde painters and critics. Now absent were both spatial depth and the ideal form of the female nude, which Picasso restructured into harsh, angular planes...
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Now absent were both spatial depth and the ideal form of the female nude, which Picasso restructured into harsh, angular planes. He rejected the gentle light and shading effects often used in classical painting along with the western ideal of classical beauty, in favour of this garish primitive display...
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