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Topic: Miscellaneous
Number of pages / Number of words: 3 / 724
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These were rich clergy or government officials who paid artists to do work for them. This benefited the artist as a source of income but it benefited the patron as well. If you sponsored many artists it was a sign of wealth and importance. It benefited the artist and the patron and in turn, benefited the city (Bynog)...


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If an excellent artist said something it was assumed it was true. If the artist were being sponsored then it would reflect back on his patron. He would receive prestige and nobility just for having the artist as a client.

A good example of this is Michelangelo. He was sponsored by Julius II to paint the Sistine Chapel...


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Life In A Reinassiance City "How has Organized Labor Benefited the People of the USA Revolution In France: Who Benefited Most From The Collapse Of The Anci Patron-Artist Relations in the Renaissance The Income Gap Between Rich and Poor Can a work of art have value regardless of who creates it? Can, and should, we look past the character of the artist - however immoral we consider them to be - and simply experience and esteem the work itself? Should artists address social and political issues in their work An Artist's Life Barbara Ehrenreich's "Struggle" to Live the Life of a Low Income Worker The Portrayal of the Clergy in the Canterbury Tales city life vs urban life Distance Learning Pitch for High ranking officials and CEO the city life Life In A City What Impression Of An Artist Do You Find In The Novel A Portrait Of The Artist A Young Man

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