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Fra Lippo Lippi will give his soul to God in order to paint the body but the Prior will only allow his body to work as an instrument to paint the soul. Fra Lippo Lippi begins to draw monks and church folk in their true and real form of being black, fat, gossips and criminals. At the Priors' first sight of such realism on canvas, the conflict of the artist and art begins as Fra Lippo Lippi's aesthetic theories do not match his own...
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The Prior views Fra Lippo Lippi's painting as the "devil's-game" (line 178) because of the reality it exposes of the church. "Oh, that white smallish female with the breasts, She's just my niece..." (lines 195-196). The ?niece' is really the Prior's mistress and along with other true to life figures he captures from the church, Fra Lippo Lippi paints a sinful portrait of real life...
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