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Emilia then asks dryly,
âIs not this man jealous?â
to which poor Desdemona can only say,
âI neâer saw him like this beforeâ
Later in the play, the audienceâs view of Emilia changes, we no see her as the voice of moral outrage... her spirited defense of her mistress ends her time as Iagoâs accomplice, and locates her firmly on the side of the forces of right...
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Indeed, hers is the first voice defending Desdemona that Othello has heard since Iago began his work in act 3, scene 3, and it is a relief for the audience to hear someone speaking truth to the unfortunate Moor. Othello is too far gone for her sensible words to work, of course--Emiliaâ s common sense only leads him to call his wife a
âsubtle whoreâ
a ridiculous epithet for a young woman who is neither subtle nor unfaithful...
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