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The narrator seems annoyed by the continuous crowing of the rooster first thing in the morning. By wanting to put an end to the crowing, he/she views the dark and the window as "gun-metal blue". It appears, if the narrator was fully awake, they would shoot the rooster to keep him from crowing. In response, an echo of other roosters rang out across town...
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In response, an echo of other roosters rang out across town. The narrator expresses his/her feelings of disgust by stating, "with horrible insistence". The annoyance carries on, as the roosters' chests "planned to command and terrorize the rest".
Bishop begins to illustrate the awkward usage of a "stupid" icon like the rooster:
over our beds
from rusty iron sheds
and fences made from old bedsteads,
over our churches
where the tin rooster perches,
over our little wooden northern houses,
making sallies
from all the muddy alleys,
marking out maps like Rand McNally's:
glass-headed pins,
oil-golds and copper greens,
anthracite blues, alizarins,
each one an active
displacement in perspective;
each screaming, "This is where I live!"
Bishop questions the roosters, "what are you projecting?" These feeble minded creatures that have seemed to always be placed with admirable statistics...
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