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Garrick was well aware of these manuals and incorporated them into his new style of acting . It was Garrick's use of exaggeration when portraying a passion that led many of his peers to label him England's greatest actor.
The thing that set Garrick apart is that he practiced the "sympathetic" technique of acting that can be attributed to the writer Thomas Heywood (Stone and Kahrl 37)...
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The "sympathetic" technique stated that the use of the descriptions of the passions should be varied according to the individual being portrayed (Stone and Kahrl 37). Quin's older school of acting made little distinction between a Brutus, a Hamlet, or a Richard III. All of these characters would be portrayed using the universal motions and thus expressing the characters in much the same manner...
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