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Hopfer (2002) identifies that the main aspect of Fogarty’s poetic style is that he forces the reader to ‘feel,’ through the rhythms of his work. His works also take on a circular style, and he dances around words creating a ceremonial syntax. As Hopfer (2002) points out, you can almost hear the stamping and singing in “Murra Murra Gulandanilli- Waterhen:”

I stepped proud, yielded dance

…...

As Hopfer (2002) points out, you can almost hear the stamping and singing in “Murra Murra Gulandanilli- Waterhen:”

I stepped proud, yielded dance

….

Him smiling at you

Him a- laughing at you

Him eyes are dillil

Him undertook the street lies

Him undertook eight and was mistook

Fogarty admits that his works are meant to be spoken, invoking the oral traditions of his culture “Whatever I write, I have to perform it (Minter 2005)”, and his works take on an Indigenous collective voice, projecting imagery that takes on a myriad of different meanings for Indigenous and non-Indigenous readers (Hopfer, 2002)...

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