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He uses color and value to create form, causing a sense of movement in the figures. They are not locked in time like Perugino's figures and convey the exact opposite message of classical, passive figures. These are strong, vibrant, and emotional figures. Perhaps the emotional aspect of the figures is created by Caravaggio's introduction of dramatic light and dark effects, termed tenebrism...
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These are strong, vibrant, and emotional figures. Perhaps the emotional aspect of the figures is created by Caravaggio's introduction of dramatic light and dark effects, termed tenebrism. This technique was a great
breakthrough in art, which added great emotional effects and mystery to the art. Caravaggio doesn't light Paul with a clear even light like Perugino would have, he gives Paul a dramatic light radiating out of his body for a conversion is a mysterious experience and the painting, Caravaggio believes, should portray this...
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