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Also, there's little dialogue in the movie, as the atmosphere of the house and the social custom of the time would dictate, so the performances are mostly physical--small gestures become earth-shaking, as when Vermeer's hand accidentally brushes Griet's while grinding paint. Griet is not to speak unless spoken to, which requires Johansson to create this character almost entirely from her face; the material is so precise and delicate that each expression must be precisely measured...

Griet is not to speak unless spoken to, which requires Johansson to create this character almost entirely from her face; the material is so precise and delicate that each expression must be precisely measured. Johannson spends almost the entire film encased in her maids clothing; when she is asked to take off her bonnet, the result is the single sexiest image of the year--a work of art in its own right...

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