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They are suspicious looking drinkers and smokers, cast in dim shadows possessing a "film noir" type quality about them. Very much like an audience trying to decipher an underlying plot, the images compel the viewer to attempt to figure out the heist being planned. These black men are stereotyped much like black men of today would be in the same situation?seen as being devious and scheming...
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These black men are stereotyped much like black men of today would be in the same situation?seen as being devious and scheming.
Motley once stated, "There is nothing borrowed, nothing copied, just an unraveling of the Negro soul. So, why should the Negro painter mimic that which the white man is doing, when he has such an enormous colossal field practically all his own; portraying his people, historically, dramatically, hilariously, but honestly, The Negro in Art" (Estes, 1)...
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Kiss Me Deadly and Film Noir
Pod-Cast And Vod-Cast Application In Educational Institution
Chinatown: Above the Film Noir Genre
Dames, Coppers, and Crooks: A L:ook At Film Noir
Archibald John Motley, Jr.: Issues of Race
La Confidential And Film Noir
To what extent is Laura Mulvey's article ?Visual Pleasure and Narrative Cinema' true to the representation of women in film noir?
"Chinatown" as film noir
Film Noir At It'S Finest
Film Noir
femme fatale in film noir
l.a confidential film noir
To what extent do the conventions and codes of film noir used in double indemnity reflect the social, economic and cultural content of the period?
Americans In Film- Race, Gender, And
Race Issues
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