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The Italian public was at first under whelmed by their artistic merits: they presented reality, not art. Fortunately, other audiences around the world opined differently, and eventually persuaded Italians that art and realism were far from being mutually exclusive concept. (Houston 1963)
Most directors of the immediate post-war period belonged to a generation brought up under the "calligraphic" mandates of the Fascist era: no politics, no violence, no real-life ugliness...
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Fortunately, other audiences around the world opined differently, and eventually persuaded Italians that art and realism were far from being mutually exclusive concept. (Houston 1963)
Most directors of the immediate post-war period belonged to a generation brought up under the "calligraphic" mandates of the Fascist era: no politics, no violence, no real-life ugliness...
Essay fragment
General points of the essay
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