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Ruyschs' works have qualities from both the 16th and 17th centuries, and are indicative of progression of the Netherlands art. They confirm that the enthusiasm for floral painting was not short lived .

Although flower painting lived beyond the craze that sparked it, Rachel Ruysch did not. In the early 20th century Art History was deemed an academic discipline; however instead of accounting for a variety of different histories that had occurred in art it became a select one pertaining to only male art...

Ruysch and her work in all its grandeur was no exception. She like all women artists were disregarded, and simply forgotten. (Honig 31) It now seems incredible that Ruysch who was at the top of her field and considered one of the finest Dutch still life painters could have disappeared. Only until recently have the works of women become recognized again, and even then not all of them...

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