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Although few would find reason to object, the film chooses to deprive Laszlo of a flashback, not to mention an "As Time Goes By" to unite him with Ilsa.

Ray points out that this concealing of the necessity for choice also governs the thematic paradigm in Casablanca. The film invites the audience to identify with Rick rather than Laszlo even though official American wartime sentiments are consistently voiced by Laszlo...

The film invites the audience to identify with Rick rather than Laszlo even though official American wartime sentiments are consistently voiced by Laszlo. Rick regularly insists upon unmediated self-interest,"I stick my neck out for nobody", "I'm the only cause I'm interested in", a position that Ferrari explicitly identifies with a discredited American tradition: "My dear Rick, when will you realize that in this world today isolationism is no longer a practical policy?" Casablanca is typical of classical Hollywood in its willingness to confront its audience's most important concerns, such as, the instinctive anxiety that America's independence could not survive the global commitments required by another world war...

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