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In The Good-Morrow Donne opens with simple, everyday language. It sounds like a monologue and it is immediately apparent that there is no set rhythm that the poet is adhering to. Rather Donne imitates normal speech with straightforward, colloquial language. He succeeds in bringing forward a feeling of someone actually talking or opening up their thoughts, compared to the Elizabethan lyric that is a polished and over produced rendition of the poet's feelings...

Comparing the opening lines of both poems here reveals another difference in the use of alliteration in Constable's lyric. The repetition of the voiced d-sound brings an immediate unity to the line. It sounds soft and gentle compared to the opening line of Donne's poem, which does not attribute any significant internal rhyme...

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