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By this opening, we see how important a father's name is in describing the identity of the hero. In book 3 there is an intervention by Aphrodite. "But Aphrodite caught up Paris/easily, since she was divine, and wrapped him in a thick mist/ and set him down again in his own perfumed bedchamber"(379-382)...

Aphrodite's way of saving Paris' life ruins his reputation, and in the long run she has done a greater wrong than if she had let him die. She has taken away Paris' chance to prove himself as a warrior, and live up to the paternal injunction. Although Homer presents these characters which are opposing the heroic code, these counter-voices are only vehicles by which the making of the hero is solidified...

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