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It is a term that is used very scarcely, and only in context of things such as a strictly formal essay and the like. Considering the context and dialect of the play, which were modern at the time, and the fact that the play had been written in the mid-20th century, a fairly recent time, it is highly unlikely that the term had been used literally to mean âdoorâ...
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While the English No Exit creates images of blocked entrances and no way out, Huis Clos, the idiomatic expression translated best to âconfidential trialâ, creates a very different image. âConfidential trialâ makes the reader focus more on the conditions under which the three main characters stay
in Hell and their emotional bonds, as opposed to the fact that the three of them are bound together physically...
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