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Book Reports
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In Crime and Punishment, Raskolnikov is the main focalizer: his point of view is adopted by the third-person narrator almost throughout (exceptions include a small number of episodes involving Svidrigaylov, and the relatively impersonal first chapter of the the Epilogue). The reader is thus allowed access into Raskolnikov's inner world, and although third-person narration is used, the novel as a whole comes close to being the central character's interior monologue...
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In Crime and Punishment, Raskolnikov is the main focalizer: his point of view is adopted by the third-person narrator almost throughout (exceptions include a small number of episodes involving Svidrigaylov, and the relatively impersonal first chapter of the the Epilogue). The reader is thus allowed access into Raskolnikov's inner world, and although third-person narration is used, the novel as a whole comes close to being the central character's interior monologue...
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