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| Topic: |
Biographies
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| Number of pages / Number of words: |
4 / 897 |
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The performer thinks of himself or herself as a "student" (a Liebhaber, i.e., "lover") of music, and must be able to play several different instruments as well as sing. The performer should be able to create, ad libitum (i.e., with improvisatory "liberty") and by ear, improvised ornamentation for composed music, and should be able to read old systems of musical notation (either mensural or tablature) in several different clefs (i...
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There are associated sounds, pictures, and explanations of these early instruments.
Perhaps one of the most enticing aspects of early music, both for performers as well as listeners, is the large variety of instruments that were played during the Middle Ages and Renaissance. Indeed, nearly every known instrument from early times--those described in written theoretical treaties and practice instructional manuals, as well as those depicted in woodcuts and paintings--are again being constructed by modern instrument builders all over the globe, in Asia, Europe, and the United States...
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