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The problem also lies with the fact that identities are not clearly definable. The self in torment especially is often splintered. Yet in other respects it is an amorphous conglomerate of I and the Not I, a merging of self and other, of known and unknown. Thus psychological turmoil spills over into fantastic flights, imaginings, and extraordinary gestures; hauntings and portents create a sense of unreality...
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The mood shifts from hysteria to hints of mystery and wonder. The tension between ?order' and ?disorder', between sense and nonÂsense deepens to an increasing impression of some kind of hidden life, luminous and powerful. The rhythm of jazz, of snapping fingers and clicking heels suggests the freedom and solace of an urgent secret vitality that lies beyond the circumscribed limits of common experience and knowledge...
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hidden text in Morrisons Jazz
Identities
torment magic the gathering
Corporate social responsibility: Morrisons
morrisons
American Identities
Every transformed text is responding to the older known text in what it uses and in what it modifies. What has been achieved in 10 Things I Hate About You by such a response?
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